Dina Kantor @ WIPNYC

Avi © Dina Kantor

Dina Kantor is the featured artist right now on Women In Photography.

For more on Dina Kantor, check out the Conversation she had with us in June.

Dina Kantor: Beyond the Portrait: Photographing Communties @ ICP

Andre © Dina Kantor

Beyond the Portrait: Photographing Communities
Instructor: Dina Kantor
Dates: 10-Week Course
10/3/08 - 12/12/08
Fri (2:00 PM to 5:00 PM)
Meeting Times: Friday: 2-5 pm at ICP
Code: 08FPJ05

Course Description

By examining the individual, one gains a better understanding of the
whole. This course goes beyond traditional portraiture by focusing on the people who make up a larger community. Students should prepare for this course by doing preliminary research on a community or group with whom they would like to work. Discussions will include gaining access, what it means to document a community, creating an archive, and how to structure such a project. We will look at the work of August Sander, Tina Barney, and Sharon Lockhart, among others. This is a critique and discussion course with emphasis on aesthetic and conceptual issues. The final class will culminate in a portfolio review. PREREQUISITE: Photo II or portfolioreview *NOTE: No class, Fri Nov 28

Dina Kantor @ Newspace Center for Photography in Portland

If you are in Portland this month check out the work of Dina Kantor at the Newspace Center for Photography. Dina's work is included in the annual juried competition group show.

2008 Juried Competition
Curated by TJ Norris
July 3-27, 2008
Opening Reception July 11, 2008 @ 7 p.m.
Newspace Center for Photography
1632 SE 10th Avenue
Portland, OR

And if you are not familiar yet with the work of Dina Kantor, check out our recent interview with her (as part of Nymphoto Conversations) here.

A Conversation with Dina Kantor

Heli & Andre © Dina Kantor

Dina Kantor was first introduced to us via Joerg Colberg's Conscientious blog. Joerg highlighted Dina's recent project "Finnish & Jewish" - which explores & documents a very small community in Scandinavia.




Avi & Keren © Dina Kantor

Dina kindly agreed to answer a few questions (see below) and to share her artist statement, in which she explained her project and her connection to the community that she has been photographing. Dina sees an intrinsic ability in the photographic medium to record details which is underlined by her stylistic choice of clear lines and her use of a sober palette. Dina has an interest in exploring the role of photography in the construction of identity & community building. An important issue that she collaboratively explores with her subjects in "Finnish & Jewish": Dina through the act of picture taking - thus becoming an active participant in the process of identity construction -- and her subjects by sitting for the project.


NP: Tell us a little about yourself.

DK: I grew up in Minneapolis, MN, and am now based in Brooklyn. I studied Journalism at Studio Arts at the U of MN. After college, I lived in London for a while before moving to New York. When I got here in worked in advertising for a few years. The only thing that really kept me sane at the time was photography, so I decided to go to graduate school. I received an MFA in photography from the School of Visual Arts in 2007.

My photographs have been featured in various publications, including Photo District News. I was named to Heeb Magazine's Heeb 100 list in 2007 and have received grants from both the Finnish Cultural Foundation and the Finlandia Foundation National. My photographs have been exhibited nationwide.


NP: How did you discover photography and what inspires you?

DK: The first time I took a photography class was in the 4th grade.
Unfortunately, I was trying to use old cameras that belonged to my grandfather, and none of them really worked. I didn't really get back into photography until I was in college.

I'm always inspired when I meet new people. I love seeing the way people dress, how they choose to present themselves, and what sort of things they choose to surround themselves with. It's no surprise, I guess, because my father was a sociologist. He used to drive me and my siblings through Uptown in Mpls in the 80s and we'd go "people watching." It's still one of my favorite pastimes.

NP: How did this project (Finnish & Jewish) come about?

DK: My mother was born in Finland and emigrated to America as a child in 1947.
Almost thirty years later, when she married my father, she converted to Judaism. I began photographing in Finland as a way to explore my own heritage, but as the project continues, it has come to embody a larger exploration.

Finland has a population of 5.3 million people, with only an estimated 1,500 Jews (and just two synagogues). I am interested in how such a small community maintains its cultural identity.

With these pictures, I am investigating the ways in which photography contributes to the construction of identity and community. Today’s society is increasingly complex and multi-cultural. As our heritages blend, our identities are no longer definable by a generic social stereotype of community, but by our unique experiences and backgrounds. Photography has an intrinsic ability to record details. I am employing it to record cultural signifiers and traditions as they blend, as well as to depict physical characteristics of a hybridized community.

NP: Do you think people were open to being photographed for this project because they want to preserve and project/share their identity & heritage?

DK:I'm sure each of my subjects had slightly different reasons for wanting to be photographed. But I'm guessing that the opportunity to help preserve their community's identity played into it for some of them.

I also think that, in a religious community, there are no real physical boundaries or exact definitions of who belongs or why. I chose to photograph anyone living in Finland who self-identified as being Jewish, not only the official members. Somehow the photograph helps establish these boundaries, both for the community itself and for the viewers. I think choosing to participate in my project may, in some way, have confirmed their sense of belonging to this specific community, whether that was conscious or not.

NP: Thank you so much! We are looking forward to seeing more of your work.

Take a look at more of Dina's photography via her website: www.dinakantor.com

The Girl Project: A Conversation

© The Girl Project

The talented Dina Kantor recently made us aware of the ongoing The Girl Project --"A national collection of photographs taken by teenage girls. The photographs represent teenage girlhood and life as seen through the eyes of young women in America", states the project's website.
Reminiscent of projects such as "Kids With Camera" and "Through The Eyes of Children - The Rwanda Project", this project however gives viewers a unique look at girlhood in America today and encourages and empowers girls to express themselves and take ownership.


© The Girl Project

The project intrigued us and made us curious about who is behind the idea. The Girl Project is spearheaded by New York based photographer Kate Engelbrecht, who took the time to answer a few questions for us:

NP: Tell us a little about yourself.
KE: I am from Minnesota originally. I grew up in Northern MN but have lived in NYC for the past 10 years. After college I didn't have a clue what to do with myself. I had majored in sociology and was not interested in a career in academia, so I moved to NYC and started working in advertising. Shortly after I learned I didn't want to work in advertising.

NP: How did you discover photography?
KE: It was at the ad agency I worked for. While I was quickly becoming uninterested in advertising I was even faster falling in love with photography. I bought a used Minolta with a 50mm lens for $150 and started shooting. It is still my favorite camera.

NP: How did this project come about?
KE: I had been toying with the idea for some time - looking for a way to blend two things that interest me (photography and girlhood). At some point I realized that the opportunity was bigger than just examining female adolescence through photography... and that it could also be a way to understand girls in an entirely new way. I figured why not go to the source - why not let the subject speak for herself.

NP: What would you consider to be the ideal venue to show an exhibit of these images you are collecting and curating?
KE: Great question. And I'm torn between two answers. One is institutional, by where my dream is to see The Girl Project on exhibit at ICP, Mass MoCA or The Walker. The other is to make it more approachable... more accessible... and get Target to sponsor a traveling exhibition in their stores.

NP: Thanks so much! We are much looking forward to seeing how the project progresses.


The Girl Project also has a blog: thegirlprojectblog.blogspot.com