Wednesday, April 7, 2010
Monday, May 18, 2009
Thursday: Women Twirling
from The Getty:
Photographers Gay Block and Catherine Opie join Jo Ann Callis to discuss the works in the exhibition Jo Ann Callis: Woman Twirling and the role domesticity plays in Callis's art-making.
Woman Twirling: Jo Ann Callis, Gay Block, and Catherine Opie in Conversation
Date: Thursday May 21, 2009, at 7 pm
Location: Harold M. Williams Auditorium, Getty Center
Admission: Free. Reservation required (make reservation here)
About the Photographers
Jo Ann Callis
Since she emerged in the late 1970s as one of the first important practitioners of the "fabricated photographs" movement, Jo Ann Callis has made adventurous contributions in the areas of color photography, sculpture, painting, and digital imagery. Callis—who launched her art career after raising a family—celebrates and subverts everyday situations through her mesmerizing photographs, which present situations that are as tense as they are comfortable. "I wanted to make photographs that were scary and beautiful, sexy and tactile," she says.
Gay Block
Photographer Gay Block is known for her empathetic, telling portraits of girls and women, members of the Jewish community, and Holocaust survivors and rescuers. In 2003 she published Bertha Alyce: Mother exPosed, an acclaimed 30-year portrait of her mother in photographs, video, and words. Several of the works in the exhibition Jo Ann Callis: Woman Twirling were gifts by Block to the J. Paul Getty Museum.
Catherine Opie
Best known for her portraits of gay and transgender men and women, photographer Catherine Opie uses photography to document communities and question our view of the "normal." Her series such as Domestic, Surfers, and Football Players constitute a penetrating social-documentary portrait of contemporary American culture.
Monday, May 4, 2009
Tursday: Catherine Opie at The Annenberg Space for Photography
from The Annenberg Space for Photography:
“Iris Nights” Lecture Series
Thursday, May 7, 6:30 to 8:00PM, Catherine Opie.
The Annenberg Space for Photography
2000 Avenue of the Stars,
Century City, CA. 90067
Sunday, March 22, 2009
Annenberg Space for Photography in LA to open
from The Annenberg Foundation:
The Annenberg Foundation announced the opening exhibit for The Annenberg Space for Photography, a community space dedicated to both digital images and print photography in Los Angeles, California to open Friday, March 27, 2009.
The premiere show, entitled “L8S ANG3LES,” will be comprised of images from eight Los Angeles-based photographers in the genres of fine art, architecture, documentary, fashion, photojournalism and celebrity portraits. The artists contributing to the group show are among the most respected in their fields-- John Baldessari, Catherine Opie, Greg Gorman, Douglas Kirkland, Tim Street-Porter, Julius Shulman, Lauren Greenfield, and Carolyn Cole. The exhibit will also include work from three Los Angeles Times staff photographers depicting life in this city; Lawrence Ho, Genaro Molina, and Kirk McKoy. Following a gala premiere on March 25, the exhibit will open to the public on Friday, March 27 and close on June 20, 2009.
Located on the former site of the Shubert Theatre, the Photography Space is a 10,000 square-foot facility. The dynamic exhibition space will feature, along with a traditional print gallery, a state-of-the-art digital presentation system capable of sharing an unprecedented number of photographs with the public in large and high-resolution format. This system can also simultaneously show adjacent video of the photographers discussing their work.
The Annenberg Space for Photography
2000 Avenue of the Stars,
Century City, CA. 90067
General admission is free.
Operating hours Wednesday through Sundays are 11am to 6pm. The Photography Space is closed Monday and Tuesday. Underground self-parking is available and can be accessed via Constellation Boulevard. Validation for reduced parking fees will be provided.
Monday, December 8, 2008
Tonight: Catherine Opie @ The Guggenheim
via Marketing Photos with Virginia Swanson:
Conversations with Contemporary Photographers
Participants: Gregory Crewdson and Catherine Opie
Moderator: Jennifer Blessing, Curator of Photography
Monday, December 8, 6:30 p.m.
While one references staged photography and the other documentary, both Gregory Crewdson and Catherine Opie address the construction of a pictorial narrative and the social dynamics of the American suburbs. The artists reflect on the medium’s complex relationship to truth, their individual contexts within its history, and the many possibilities for its future.
Lectures and panel discussions at the Guggenheim take place in the Peter B. Lewis Theater of the Sackler Center for Arts Education. Unless otherwise noted, tickets for public programs are $10 ($7 members, students). Box Office: 212.423.3587
This presentation is held in conjuction with the exhibition “Catherine Opie: American Photographer” on view at the Guggenheim NYC through January 7, 2009.
Don’t miss the the on-line video of Opie talking about of the making of Icehouses and Surfers installation that is a part of this larger mid-career retrospective of her work.
Also available on the exhibition website: a slide show (with full captions/object labels) and samples of the exhibition’s audio tour.
Saturday, December 6, 2008
Role Models: Feminine Identity in Contemporary American Photography
Still on view through January 25, 2009
"Role Models: Feminine Identity in Contemporary American Photography"
National Museum of Women in the Arts
1250 New York Avenue, N.W.
Washington, DC
The Washington Post has a review by Michael O' Sullivan.
Saturday, September 27, 2008
More Catherine Opie
The New York Times yesterday published review by Holland Cotter of Catherine's Opie's titled "A Retrospective of Many Artists, All of Them One Woman" . The article is accompanied by a slide show of Catherine's Opie's work which you can see here.
Friday, September 26, 2008
Midcareer Survey of Catherine Opie at Guggenheim
A midcareer survey of Catherine Opie is now on view at the Guggenheim Museum in New York.
September 26, 2008 through January 5, 2009
From the Guggenheim:
Since the early 1990s, Catherine Opie has produced a complex body of photographic work, creating series of images that explore notions of communal, sexual, and cultural identity. From her early portraits of queer subcultures to her expansive urban landscapes, Opie has offered profound insights into the conditions in which communities form and the terms in which they are defined. All the while she has maintained a strict formal rigor, working in lush and provocative color as well as richly toned black and white. Influenced by social documentary photographers such as Walker Evans, Dorothea Lange, and August Sander, Opie underscores and elevates the poignant yet unsettling veracity of her subjects.
Catherine Opie: American Photographer brings together nearly 200 of the artist's photographs in a major mid-career survey, offering the most comprehensive presentation of her work to date. Including works from the series Being and Having (1991); Portraits (1993-97); Freeways (1994-95); Houses (1995-96); Domestic (1995-98); Mini-malls (1997-98); Large-Format Polaroids (2000); Wall Street (2001); Icehouses (2001); Surfers (2003); Chicago (2004); and In and Around Home (2004-05), the exhibition will provide audiences with an unprecedented opportunity to examine the many interconnections between Opie's diverse bodies of work.
Wednesday, July 30, 2008
Catherine Opie at the Guggenheim
From her early work of transgender people and performance artists to her expansive landscapes of cities like Minneapolis, Los Angeles, and New York, Opie has offered profound insights into the conditions in which communities form and the terms in which they are defined. All the while she has maintained a strict formal rigor, working in stark and provocative color as well as richly toned black and white.
